{"id":10401,"date":"2019-06-07T13:41:21","date_gmt":"2019-06-07T18:41:21","guid":{"rendered":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/?p=10401"},"modified":"2019-06-11T15:39:07","modified_gmt":"2019-06-11T20:39:07","slug":"imaging-team-replicate-ancient-mesoamerican-artifacts-for-gallery-exhibit","status":"publish","type":"post","link":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/2019\/06\/imaging-team-replicate-ancient-mesoamerican-artifacts-for-gallery-exhibit\/","title":{"rendered":"Imaging Team Replicate Ancient Mesoamerican Artifacts for Gallery Exhibit"},"content":{"rendered":"

\"Artifact-scan-Anna-Fisher-2_edited-1\"<\/a>When the Vanderbilt University Institute of Imaging Science (VUIIS) installed a new, state-of-the-art PET\/CT scanner in early 2018, the team imagined a wide range of research opportunities \u2014 but none of them involved imaging artifacts for an art gallery exhibition.<\/p>\n

This spring the VUIIS partnered with Vanderbilt’s Fine Arts Gallery to scan and create replicas of ancient Mesoamerican artifacts for a hands-on experience in the gallery\u2019s current exhibition, Refuting \u201cNoble Savages:\u201d Reflections of Nature in Ancient Mesoamerican Artifacts.<\/em><\/p>\n

Using the scanner, the imaging team captured detailed pictures of each item\u2019s surface and openings and sent the data to a 3D printer to print polymer replicas. Some of the replicas were then painted by undergraduate students in Markus Eberl’s spring semester course (Exhibiting Historical Art\u2014Daily Life in Mesoamerica) to look like the original objects.<\/p>\n

\"Artifact-scan-replica_edited-1\"<\/a>Three replicas were created for the student-curated exhibition: an ancient flute and two ink stamps with varying designs.<\/p>\n

\u201cThe Fine Arts Gallery has to secure its artifacts behind glass, so 3D replicas help us make these objects accessible to visitors,\u201d said Eberl, associate professor of anthropology. \u201cThey can pick up the flute and play it. They can ink stamp replicas to reproduce the patterns engraved on the original stamps.\u201d<\/p>\n

\u201cIt\u2019s a way for visitors to get closer not only to the objects, but also to the psychology and experiences of the people who originally used them,\u201d added Emily Weiner, assistant curator of the Fine Arts Gallery.<\/p>\n

According to Seth Smith, associate professor of radiology and radiological sciences and associate director of VUIIS, the collaboration demonstrates how imaging technology extends beyond clinical research, allowing the institute to be a resource for the greater Vanderbilt community.<\/p>\n

\u201cIt was exciting for us to partner with the Fine Arts Gallery to do something completely out of the box. We were excited to develop a new relationship brought about because of the existence of a new imaging device within VUIIS. This is a bridge we don\u2019t often get to see, and personally, I find it to be fascinating and encouraging,\u201d said Smith.<\/p>\n

\"PET\/CT<\/a>\u201cIt is exciting that our imaging technology can contribute not only to human health and the study of biological systems, but also to the humanities and our appreciation of ancient cultures,\u201d said Todd Peterson, director of nuclear imaging. \u201cWhile it may seem like a small detail, combining our tomographic imaging capabilities with 3D printing provides a true reproduction of these objects in a way that simply tracing the outer contours couldn\u2019t.\u201d<\/p>\n

The partnership also allowed the team to learn more about the device\u2019s capabilities. \u201cThis project was especially valuable as it provided the opportunity to test different aspects of our scanner\u2019s imaging and reconstruction software which had not been previously explored,\u201d said Anna Fisher, CNMT, nuclear medicine PET technologist II.<\/p>\n

\u201cWe were able to acquire high-resolution CT images of each piece and successfully convert the data into 3D-printable formats all from the scanner itself. Discovering these unique capabilities has opened the door to new services we can provide here at VUIIS.\u201d<\/p>\n

The exhibition is on display through September 13 in the Vanderbilt Fine Arts Gallery in Cohen Memorial Hall on the western edge of the Peabody College campus.\u00a0Gallery hours for the summer (now through August) are Tuesday-Friday, noon to 4 pm; Saturday, 1-5 pm; closed Sunday and Monday.—Kelsey Herbers courtesy of <\/em>VUMC Reporter (May 9, 2019)<\/em><\/p>\n

*Anna Fisher, certified nuclear medicine technologist, scans an ancient stamp using the PET\/CT scanner. *Todd Peterson, director of nuclear imaging, and Fisher oversee the operation of the new research PET\/CT scanner.<\/em> (photos by Anne Rayner)<\/p>\n","protected":false},"excerpt":{"rendered":"

When the Vanderbilt University Institute of Imaging Science (VUIIS) installed a new, state-of-the-art PET\/CT scanner in early 2018, the team imagined a wide range of research opportunities \u2014 but none of them involved imaging artifacts for an art gallery exhibition. This spring the VUIIS partnered with Vanderbilt’s Fine Arts Gallery to scan and create replicas…<\/p>\n","protected":false},"author":7000,"featured_media":10404,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,14,15,16,1,20,21,23],"tags":[],"class_list":["post-10401","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-humanities","category-events","category-fine-arts-gallery","category-hart","category-news","category-studentalumni","category-technology","category-vrc"],"_links":{"self":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts\/10401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/users\/7000"}],"replies":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/comments?post=10401"}],"version-history":[{"count":12,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts\/10401\/revisions"}],"predecessor-version":[{"id":10416,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts\/10401\/revisions\/10416"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/media\/10404"}],"wp:attachment":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/media?parent=10401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/categories?post=10401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/tags?post=10401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}