{"id":9548,"date":"2018-11-12T19:00:25","date_gmt":"2018-11-13T00:00:25","guid":{"rendered":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/?p=9548"},"modified":"2018-11-12T19:00:25","modified_gmt":"2018-11-13T00:00:25","slug":"vanderbilts-art-democracy-and-justice-lecture-series-to-open-at-the-frist-on-november-14","status":"publish","type":"post","link":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/2018\/11\/vanderbilts-art-democracy-and-justice-lecture-series-to-open-at-the-frist-on-november-14\/","title":{"rendered":"Vanderbilt&#8217;s &#8216;Art, Democracy and Justice&#8217; Lecture Series to Open at the Frist on November 14"},"content":{"rendered":"<p><a href=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/2593\/2018\/11\/MagdaCampos-Pons.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9551 alignright\" src=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/2593\/2018\/11\/MagdaCampos-Pons.jpg\" alt=\"MagdaCampos-Pons\" width=\"282\" height=\"419\" \/><\/a>Maria Magdalena Campos-Pons, the Cornelius Vanderbilt Chair of Fine Arts and professor of art, will launch the lecture series &#8220;Art, Democracy and Justice&#8221; with three prominent artistic voices at the Frist Art Museum on Wednesday, November 14. The event, free and open to the public, will begin at 6:00 pm in the Frist Auditorium.<\/p>\n<p>\u201cThis is a deeply important time in our nation\u2019s history for these conversations on the integral relationships between art, democracy and justice,\u201d said Campos-Pons. \u201cArt does not happen in a vacuum. Art mirrors society, and is a testimony to our time.\u201d<\/p>\n<p>Campos-Pons, whose own work investigates themes of history, memory, gender and religion and how they inform identity, wants to connect the Department of Art and Vanderbilt, more broadly, to a growing dialogue around the world about what is shifting in the practice of art and democracy.<\/p>\n<p>\u201cI\u2019m particularly excited for our visiting speakers to add to the expanding reach and rigor of our department\u2019s curriculum,\u201d Campos-Pons said. Joining her for the inaugural event are:<\/p>\n<p><a href=\"https:\/\/www.nytimes.com\/by\/holland-cotter\" target=\"_blank\" rel=\"nofollow noopener\">Holland Cotter<\/a>, co-chief art critic and a senior writer at\u00a0<i>The New York Times<\/i>; His numerous awards include the Pulitzer Prize for Criticism and the Lifetime Achievement Award for Art Writing from the College Art Association. Cotter, a former contributing editor to\u00a0<i>Art in America<\/i>, earned a master of philosophy in South Asian art from Columbia University.<\/p>\n<p><a href=\"https:\/\/www.documenta14.de\/en\/artists\/13571\/olu-oguibe\" target=\"_blank\" rel=\"nofollow noopener\">Olu Oguibe, <\/a>Nigerian-born artist and writer; His work has been exhibited in museums and galleries around the world, and he is a senior fellow of the Smithsonian Institution. He received the 2017 Arnold Bode Prize of the City of Kassel for Documenta14.<\/p>\n<p><a href=\"https:\/\/universes.art\/en\/documenta\/2017\/adam-szymczyk\/\" target=\"_blank\" rel=\"nofollow noopener\">Adam Szymczk<\/a>, Polish artist who was artistic director of Documenta14 (Athens\/Kassel). He co-founded the Foksal Gallery in Warsaw and served as director of Kunsthalle Basel, a place for innovative contemporary art exhibitions of an emerging generation of artists. He is a recipient of the Walter Hopps Award for Curatorial Achievement from the Menil Foundation.<\/p>\n<p>\u201cOur panelists are current thinkers and makers who will bring their fresh perspectives to the role of art as a social and cultural shaper,\u201d said Campos-Pons. \u201cAnd having an artist, administrator and critic engage face-to-face on our topic could provide some interesting dynamics. I\u2019m also excited for the expertise of our visiting speakers to add to the expanding reach and rigor of the curriculum of Vanderbilt\u2019s Department of Art.&#8221;<\/p>\n<p>Campos-Pons, who joined the faculty in 2017, said she is pleased to have the Frist Art Museum and\u00a0Fisk University\u00a0as partners, as her department wants to develop more synergy with community organizations and institutions on art-related issues of broad public and academic interest.<\/p>\n<p>This event is also made possible with collaboration and generous support from Vanderbilt\u2019s\u00a0Department of Art,\u00a0Office of the Chancellor, and\u00a0Dean\u2019s Office of the College of Arts and Science.&#8212;<em>Ann Marie Deer Owens (MyVU: Vanderbilt News, November 10, 2018)<\/em><\/p>\n<p><em>*Photo of Maria Magdalena Campos-Pons courtesy of Peabody Essex Museum<br \/>\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maria Magdalena Campos-Pons, the Cornelius Vanderbilt Chair of Fine Arts and professor of art, will launch the lecture series &#8220;Art, Democracy and Justice&#8221; with three prominent artistic voices at the Frist Art Museum on Wednesday, November 14. The event, free and open to the public, will begin at 6:00 pm in the Frist Auditorium. \u201cThis&#8230;<\/p>\n","protected":false},"author":7000,"featured_media":9551,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,16,17,19,1,20,8,23],"tags":[],"class_list":["post-9548","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-hart","category-hart-in-nashville","category-lectures","category-news","category-studentalumni","category-vanderbilt-university","category-vrc"],"_links":{"self":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts\/9548","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/users\/7000"}],"replies":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/comments?post=9548"}],"version-history":[{"count":6,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts\/9548\/revisions"}],"predecessor-version":[{"id":9555,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/posts\/9548\/revisions\/9555"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/media\/9551"}],"wp:attachment":[{"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/media?parent=9548"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/categories?post=9548"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/arthistoryblog\/wp-json\/wp\/v2\/tags?post=9548"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}