{"id":399,"date":"2013-12-20T14:47:30","date_gmt":"2013-12-20T19:47:30","guid":{"rendered":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/?page_id=399"},"modified":"2014-05-30T10:30:23","modified_gmt":"2014-05-30T15:30:23","slug":"ana-maria-tavares-deviating-utopias","status":"publish","type":"page","link":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/ana-maria-tavares-deviating-utopias\/","title":{"rendered":"Ana Maria Tavares: Deviating Utopias"},"content":{"rendered":"<p>&nbsp;<\/p>\n<h3>The Frist Center for Visual Arts, Nashville<br \/>\nOctober 13-January 12, 2013<\/h3>\n<p>The Frist Center for the Visual Arts in Nashville presented Ana Maria Tavares\u2019 exhibition<em>Deviating Utopias<\/em>. In her work, Tavares employs materials such as glass and steel to form structures occupying an area between design and fine art. An immersive video, Airshaft (to Piranesi), serves as the exhibition\u2019s centerpiece and is accompanied by Nashville composer Brian Siskind\u2019s \u201cNiter\u00f3i, water that hides.\u201d This sonic collage melds mid-century\/postwar orchestral vinyl, recontextualized into a dark, deep and teeming sound environment.<\/p>\n<p><a href=\"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.15.19-AM.png\"><\/a><a href=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.29.00-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-656\" src=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.29.00-AM-650x478.png\" alt=\"\" width=\"650\" height=\"478\" srcset=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.29.00-AM-650x478.png 650w, https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.29.00-AM-300x220.png 300w, https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.29.00-AM.png 715w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><br \/>\n<a href=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.18.31-AM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-654\" src=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.18.31-AM-650x381.png\" alt=\"\" width=\"650\" height=\"381\" srcset=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.18.31-AM-650x381.png 650w, https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.18.31-AM-300x176.png 300w, https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1141\/2013\/12\/Screen-shot-2014-05-30-at-10.18.31-AM.png 753w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/a><\/p>\n<h5><a href=\"http:\/\/fristcenter.org\/calendar-exhibitions\/detail\/ana-maria-tavares\">Visit the Frist Center for Visual Arts for more exhibition information<\/a><\/h5>\n<h5>Watch &#8220;Artist&#8217;s Perspective: Ana Maria Tavares:\u00a0<em>Deviating Utopias<\/em>&#8220;<\/h5>\n<p>http:\/\/vimeo.com\/77252014<\/p>\n<hr \/>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; The Frist Center for Visual Arts, Nashville October 13-January 12, 2013 The Frist Center for the Visual Arts in Nashville presented Ana Maria Tavares\u2019 exhibitionDeviating Utopias. In her work, Tavares employs materials such as glass and steel to form structures occupying an area between design and fine art. An immersive video, Airshaft (to Piranesi),&#8230;<\/p>\n","protected":false},"author":2337,"featured_media":528,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"tags":[4],"class_list":["post-399","page","type-page","status-publish","has-post-thumbnail","hentry","tag-featured"],"_links":{"self":[{"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/pages\/399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/users\/2337"}],"replies":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/comments?post=399"}],"version-history":[{"count":13,"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/pages\/399\/revisions"}],"predecessor-version":[{"id":515,"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/pages\/399\/revisions\/515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/media\/528"}],"wp:attachment":[{"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/media?parent=399"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/conversationsconversas\/wp-json\/wp\/v2\/tags?post=399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}