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Author Archives: Beya
My first English course at UC Merced was taught by Instructor Trevor Jackson, at the time I was still trying to fulfill the expectations my STEM oriented mentors expected from me, these expectations being to pursue a career in STEM. I was a disoriented Biology major, that realized I was so much happier and whole […] Continue reading
“Milton will utterly consume us & thee our beloved Father” In Milton: Book the Second, Blake finds himself in the garden. Ololon meets Blake and then eventually finds Milton, and we find out that she is Milton’s feminine self. Blake express that Ololon’s position as a virgin is one that puts her in an “annihilable” […] Continue reading
In William Blake’s Milton: Book the First, Blake critiques John Milton’s intents in Paradise Lost. Despite, his admiration for Milton, Blake believes that Milton’s idea that relegating revolutionary energy was diabolic. Instead, he thinks that was diabolic was Milton’s “selfhood” or self righteousness, to put in other terms. In Line 8-11 he states: The Eternal Great […] Continue reading
In William Blake’s The Song of Los: Africa, Adam and Noah are an odd combination to put as contemporaries given that Adam is about 8 or so generations away from Adam acording to the bible (Adam father of Seth, Seth father of Enos, Enos father of Kenan, Kenan father of Malalel, Malalel father of Jared, Jared […] Continue reading
William Blake’s Europe a Prophecy ends with an epic war in which Los and Orc prepare to fight: But terrible Orc, when he beheld the morning in the east Shot from the heights of Enitharmon; And in the vineyards of red France appear’d the light of his fury Orc is the embodiment of rebellion as opposed to […] Continue reading
Blake’s marginalia deeming Paine “either a Devil or an Inspired Man” (456) is indicative of his admiration for Pain because throughout the works of Blake we see him develop the devil as a character that is calling for inquiry on a system that he is advised to not question. In The Marriage of Heaven and […] Continue reading
In “Young William Blake and the Moravian Tradition of Visionary Art” by Marsha Keith Schuchard, the author explores the Moravian influences that motivate the art of William Blake. To put into context, Blake is influenced by Moravian art due to his mother, Catherine Armitage Blake, who’s Moravian associations dawned on “ecumenical missionaries, an esoteric tradition […] Continue reading
William Blake’s Songs of Innocence and Experience are dichotomized into two categories: one of the newness of childhood and another that is tainted by the perils of misery. However, although the poems differ in form and attitude, there are also parallels and threads that beg to be analyzed by the reader. The poem EARTH’s Answer. from […] Continue reading