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Category Archives: Atwood
As I write this Italy is reporting its deadliest day since the beginning of the coronavirus. 368 people are dead, and I am reading A.E. Van Vogt’s Slan, Larry Niven’s Ringworld, and Margaret Atwood’s Oryx and Crake for a module called “Altered Humans –… Continue reading
I can’t stand when people watch a movie before they read the book. There. I said it. Even back in fourth grade when a film adaptation of Jeff Kinney’s renowned Diary of a Wimpy Kid hit theaters, I was appalled by my young cohort watching in awe from front row seats, so mindless of the […] Continue reading
***This post contains spoilers! If you are reading this, and you haven’t finished Oryx and Crake, step away from the computer and get back to it!*** I read Oryx and Crake primarily as a novel of trauma, extending past the genocidal crescendo of… Continue reading
“These are floor models. They represent the art of the possible,” explains Crake to a skeptical Jimmy as Jimmy is introduced to the life-blood of the Paradice Project (Atwood 305). The Crakers are human-animal splices that have been created by Crak… Continue reading
In Magaret Atwood’s Oryx and Crake, Crake tries to create a new race of human beings that he believed would be perfect. They wouldn’t suffer from sexual dissatisfaction, they would have no fear of death because they wouldn’t know when they might die, they would just drop dead all of the sudden. They would have […] Continue reading
The ending of Oryx and Crake is one of the more controversial parts of the book, partially for its vague cliffhanger, partially for the implications that Jimmy’s actions have on his current state of mind. This is what Erin Pellarin questions, theorizing that perhaps Jimmy has been brainwashed by his solitude and Crake’s purpose for […] Continue reading