SAMPLE ALL THE FLAVORS!Increasingly, Vanderbilt instructors are incorporating blogs into their course design. Course Blogs at Vanderbilt is a mash-up of live feeds representing a wide variety of Vanderbilt courses that use blogging to help students reflect on, comment about, and introduce new ideas to course material. Click on the blog title to view the originating course blog. You can also click on the Participating Blogs tab for links to each blog.
ADD YOUR COURSE BLOG TO THIS SITE!Are you administering or participating in a course blog as at Vanderbilt? SEND US THE URL and we'll include it on this site.
Category Archives: Christ and the Body (10/2)
William Blake’s Marriage of Heaven and Hell, is deeply influenced by Moravian beliefs, as Blake’s work moves to capture the essence of body, soul, intimacy, and illuminations of different perceptions of seeing the world as well as different parts of ourselves. As noted by Marsha Kieth Schuchard in “Young William Blake and the Moravian Tradition of Visionary […] Continue reading
William Blake’s work consisted of religious influences and erotic connotations. For example, in The Marriage of Heaven and Hell , he states, “But first the notion that man has a body distinct from his soul, is to be expunged; this I shall do, by printing in the infernal method, by corrosives, which in Hell are […] Continue reading
Through his work within The Marriage of Heaven and Hell, William Blake cryptically introduces his work through a theological manifesto. The passage is encoded to subliminally represent how Blake’s distaste for Moravian beliefs is due to his troubled understanding of how Heaven and Hell are set to be different from one another. Blake discovers a fluent […] Continue reading
After reading, “Young William Blake and the Moravian Tradition of Visionary Art” by Marsha Schuchard, the Moravian influence in William Blake’s works are understandable. From Blake’s The Marriage of Heaven and Hell, “The worship of God is. Honouring his gifts in other men each according to his genius. and loving the greatest men best, those who […] Continue reading
Chris Ingle Moravian beliefs look at the wounds of Christ in quite a unique way, similar to how Blake looks at life and religion. Knowing now that his own mother was at the very least influenced by Moravian beliefs, if not a follower herself,makes total sense when we look at Blake’s work in “The Marriage […] Continue reading
The passage “The Voice of the Devil” from William Blake’s The Marriage of Heaven and Hell,engages Moravian images, themes and ideas. According to Marsha Keith Schuchard in “Young William Blake and the Moravian Tradition of Visual Art, the theme that the word should “choose Fancy rather than Philosophy” because it is separate reason in philosophy […] Continue reading
In his compiled work Marriage of Heaven and Hell, William Blake conveys several unconventional ideas and concepts inspired by Moravian beliefs, including a heavy emphasis on the body and the soul. In the first of four “A Memorable Fancy” passages, Blake writes about encounters with the infernal depths of Hell while collecting the Proverbs of […] Continue reading
The Morovian teachings Blake was exposed to had an emphasized the production of knowledge, and in turn life, through bodily means. According to Marsha Keith Schuchard in “Young William Blake and the Moravian Tradition of Visionary Art,” Morovians believed “new souls [are] birthed [from] the gushing blood” of Jesus’ crucifixion wounds, since the phallic nails penetrate the […] Continue reading
For next Wednesday (10/2), students will write a post that cites the scholarly article linked below to support a specific interpretation of Blake’s The Marriage of Heaven and Hell: http://bq.blakearchive.org/40.3.schuchard Provide a close reading of ONE specific passage from Blake’s The Marriage of Heaven and Hell that, in your view, engages with Moravian images, themes, […] Continue reading