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Category Archives: Holy Thursday
The contrasting levels of power present harmoniously in “Holy Thursday” from Songs of Innocence, like the children, beadles, and God in St. John’s Cathedral, illustrates the exertion of false power Thomas Paine and William Blake’s Moravian beliefs rejected. This civility with which the scene in “Holy Thursday” is conducted with demonstrates the way civility fosters social hierarchies and […] Continue reading
My arrangement of the plates from William Blake’s Songs of Innocence aimed at recounting the observations and reflections of an omniscient narrator/onlooker. Through the my selections I formed a narrative that questions the effectiveness of religious faith as a form of personal and social governance. The poems I chose were “Holy Thursday,” “The Chimney Sweep,” and “On […] Continue reading
Last week, I explored “Holy Thursday” from Songs of Innocence. In considering which two poems to examine as contraries, I immediately became interested in expanding my exploration of the original “Holy Thursday” by comparing it to its twin of the same name in Songs of Experience. The first difference I noted is the lack of […] Continue reading
The three images above all deal with some dimension of the likeness between God and mankind. I have arranged them in this order, moving from “The Lamb” to “Holy Thursday” and finishing with “The Divine Image” because I saw a natural sequential development of the course of the three plates. Beginning in “The Lamb,” Blake […] Continue reading