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Category Archives: Los
In reference to Urizen’s tears in Blake’s work, “The Songs of Los,” signifies a rather triumphant war over the world specifically binding all of Earth’s human dwellers centering around Africa. So, I disagree that Urizen’s tears are due to his remorse, but rather his seemingly apparent triumph over the imaginary, the contradictory, the radical, and […] Continue reading
In Plates 17 and 18, lines 37-39, 1-11 (p. 106), why does Los prepare for epic war along with Orc, who arrives with “furious terrors” and “golden chariots”? Explain the significance of this cosmic battle for Blake’s prophetic vision of Europe. In Blake’s poems from, “Europe a Prophecy,” various references of biblical nature are adapted […] Continue reading
Milton wants to celebrate self-love through the journey of sexual liberation, breaking away from the Urizen state of mind that “dares to mock with the aspersion of Madness/Cast on the Inspired, by the tame high finisher of paltry Blots” (202). The madness of course being the image offered through plate 47: two men–one enjoys the […] Continue reading
By examining the engraved images of what is clearly a depiction of a man performing oral sex towards another man is actually an engraving that is supposed to portray Blake’s encounter with Los (further explained in the footnotes). By taking a closer look at the detail of both images, both of the men are presented […] Continue reading
In William Blake’s “The Tyger” from Songs of Innocence and Experience is the essence of opposing energies of anything deemed guiltless. In further analysing its twin poem “The Lamb,” we see this notion of opposition even more; the moral that is to be taken from having engaged in both texts, is that humanity possesses both […] Continue reading
Urizen is ultimately weeping about the same thing: the emergence of Los, or, revolution of the peoples through the ashes of long forgotten imaginations. His rule over the world is coming to an end, which is why in “Africa”, he “gave it into the hands of Newton & Locke” (110); “it“ being the ideology of reason. […] Continue reading
Enitharmon’s dream was gendered as female because of its connection to Los; hitherto, Europe was ruled and dictated by a man’s dream, hence: “eighteen hundred years: Man was a Dream!” (12/9, line 2, 101). The logic of reason, or the ideology understood through the character Urizen, had been the contemporary order of society. Therefore, by […] Continue reading
William Blake’s Europe a Prophecy ends with an epic war in which Los and Orc prepare to fight: But terrible Orc, when he beheld the morning in the east Shot from the heights of Enitharmon; And in the vineyards of red France appear’d the light of his fury Orc is the embodiment of rebellion as opposed to […] Continue reading
An increasingly common theme we begin to see among Blake is his hatred of limiting rules and regulations, that patronize the imagination if not stifle it completely. Thomas Paine in his various works appears to echo these same sentiments, albeit through the lens of the political. In his book, Common Sense, he writes that “government […] Continue reading
It is has been well established that Blake’s poetic genius attempts to get us out of our Urizen state, and ultimately reach that state of Los. In Blake’s annotations of Watson’s “Apology for the Bible” he reinforces that idea by claiming that “Our judgement of right & wrong is Reason” (Blake, 456). Thomas Paine seems […] Continue reading