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Category Archives: Margaret Atwood
On Friday, November 3, Netflix premiered Alias Grace, a six-part miniseries adaptation of Margaret Atwood’s 1996 novel of the same title. The pairing of the acclaimed novelist and a major streaming service was bound to generate much interest, not least owing to Netflix’s rival Hulu’s hugely successful small-screen iteration of Atwood’s The Handmaid’s Tale earlier this […] Continue reading
“These are floor models. They represent the art of the possible,” explains Crake to a skeptical Jimmy as Jimmy is introduced to the life-blood of the Paradice Project (Atwood 305). The Crakers are human-animal splices that have been created by Crak… Continue reading
~”The birth of the camp in our time appears as an event that decisively signals the political space of modernity itself”–Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life. In the introduction to Homo Sacer: Sovereign Power a… Continue reading
One of the recurring features of Margaret Atwood’s Oryx and Crake is the voice that keeps speaking in Snowman’s head, a voice whose tone is by turns condescending, instructional, pious, courageous, scolding, childish, and much else. The voice speak… Continue reading
Children of Men: http://www.youtube.com/watch?v=Q9CFcTY_pik We began our discussion of Oryx and Crake with a background on the author, Margaret Atwood. Despite writing what most people would consider “science fiction,” Atwood, in many instances, has been known to correct this improper categorization of her works to speculative fiction. Speculative fiction, as Atwood describes it, is fact within […] Continue reading
Killain C. Quigley draws parallels between the erotic and the contagious in his blog post, explaining how the characteristic “Human carrier” of disease and outbreak novels signifies an erotic undertone. And this is eroticism that is not only in a sexual sense (though there’s plenty of that in Oryx and Crake), but an uncanny and […] Continue reading
Materialism and its corporate grip on society is a rampant theme in Oryx and Crake, and it’s no surprise that Dan Fang would take a particular interest in it. In this post, she discusses the significance of Jimmy’s retained materialism; the previously mundane things that he owns are tangible remnants of an apocalyptic past. Fang […] Continue reading