Category Archives: Milton a Poem

Self-Love

When observing the images of male-to-male oral sex, what can be assumed is that there is two figures, but another perspective could be that there is something else -something mystical taking place.  In other words, what I took from it is that while we see two figures -men- doing acts to one another it is […] Continue reading

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Bounding the Poetic Genius

In plate 2 of William Blake’s “Milton: Book the First”, the oppressed poetic Genius is revealed within the renowned poet John Milton, author of Paradise Lost. Blake writes how the poetic Genius is called upon in Milton through various physical awareness, specifically focusing on tactile imagery (that of touch), to highlight this. Blake mentions how […] Continue reading

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Milton and Satan, tragic heroes

In considering how Milton in William Blake’s Milton a Poem is like or unlike Satan, I first contemplate how to define the Satan figure that we are discussing. My first assumption is to compare Milton to his own Satan in Paradise Lost, but I quickly question this narrow interpretation. In my mind, there are at […] Continue reading

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Self-Annihilation

For next Wednesday (11/6), answer ONE of the two optional question prompts: 1. Why does Milton need to “go down to self-annihilation and eternal death” (Plate 15, ln. 22; p. 162)? hint: take a peak at the accompanying illustration/text images in the Blake Archive.   2. How is Milton like (or unlike) Satan?   Please […] Continue reading

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Milton and Male Dominance

In book 2, plate 48-49, lns. 35-39, 1-15 (p. 202-203), does Ololon’s recognition of herself and Milton as “Contraries” result in her self-annihilation? If so, explain how her self-annihilation is similar to or different from Milton’s. The Blake dictionary, of course, has a great section on Ololon that will help answer the question of whether […] Continue reading

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