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Category Archives: Poetry and Designs (Norton critical editions)
The sarcastic tone and presentation, beginning with Marilyn Manson’s description of being a generous lover, in his reading of William Blake’s Marriage of Heaven and Hell are complementary and yet sardonic pieces. Editorial footnotes in Blake’s Poetry and Designs indicate that the plate title images are depicting the conversion of an angel, into the so-called devil. Repetitive instances of the […] Continue reading
Blake’s Song of Los ends which a curious, antithetical image of the grave, cursorily glossed by Johnson and Grant as “a regenerative orgasm” which transforms it into a “fruitful womb” (107): The Grave shrieks with delight, & shakes Her hollow womb, & clasps the solid stem; Her bosom swells with wild desire: And milk & […] Continue reading