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Category Archives: subjectivity
***This post contains spoilers! If you are reading this, and you haven’t finished Oryx and Crake, step away from the computer and get back to it!*** I read Oryx and Crake primarily as a novel of trauma, extending past the genocidal crescendo of… Continue reading
The labs and factory farms of Margaret Atwood’s Oryx and Crake present us with a vertible zoo of zoē ─ a menagerie of bioforms that embody Giorgio Agamben’s concept of “bare life.” During his tour of Watson-Crick’s NeoAgriculturals wing, Continue reading
Caged in Desire, or How to Read an Unreliable Narrator: Anxiety, Projection, and Crushes in Henry James’s In the Cage
I’d like to open this post with some mood music: There we go. That sets the stage nicely. In other words, In the Cage is a stomach-turning read for any fantasy-prone person (re: most of us) who has ever had an unrequited crush. Let’s th… Continue reading
I come to my literature degree still carrying the baggage of having worked in a hospital operating room for a long time. Maybe it is not surprising to say that I have left filled with images and stories, and I am still trying to find a way of articulat… Continue reading
One of the recurrent images considered in Daston and Galison’s book Objectivity is that of the artist in contrast with the scientist. The most extensive discussion of this relation comes in chapter two, where generally in the eighteenth century, “t… Continue reading
What is “perfect?” You can cite dictionary definitions, but in the end those are essentially impossible ideals to obtain. “Perfection” as we know it is almost a purely theoretical concept, used mostly as emphasis. But Dan Fang discusses perfection in the context of scientific endeavour; what is considered a “perfect” organism, so that it is […] Continue reading