SAMPLE ALL THE FLAVORS!Increasingly, Vanderbilt instructors are incorporating blogs into their course design. Course Blogs at Vanderbilt is a mash-up of live feeds representing a wide variety of Vanderbilt courses that use blogging to help students reflect on, comment about, and introduce new ideas to course material. Click on the blog title to view the originating course blog. You can also click on the Participating Blogs tab for links to each blog.
ADD YOUR COURSE BLOG TO THIS SITE!Are you administering or participating in a course blog as at Vanderbilt? SEND US THE URL and we'll include it on this site.
Category Archives: Visuality
Interdisciplinary is an at times seemingly vague buzzword invoked in academia. It is often used in general documents like Vanderbilt’s academic strategic plan. Recently, however, it has become a little less of an abstract concept for me. I have spent… Continue reading
Brooks Landon’s essay, “Less is More: Much Less is Much More: The Insistent Allure of Nanotechnology in Science Fiction” in the anthology, Nanoculture begins with a true statement of storytelling if I’ve ever heard one: “Size has … Continue reading
I say I became habituated to the Beast People, that a thousand things that had seemed unnatural and repulsive speedily became natural and ordinary to me. (The Island of Dr. Moreau, End of Chapter 15) I used to consider myself a very squeamish person. T… Continue reading
Henry James’ style of writing in his short novel In the Cage at first seems nothing like the compressed, imagist ideals of Ezra Pound. But perhaps examining some of Pound’s essays, including one on James, in conjunction with Richard Menke’s exami… Continue reading
I come to my literature degree still carrying the baggage of having worked in a hospital operating room for a long time. Maybe it is not surprising to say that I have left filled with images and stories, and I am still trying to find a way of articulat… Continue reading
In their history of science tome, Objectivity (2010), Daston and Galison examine how the modern concept of objectivity emerged from the mid-nineteenth-century sciences. They argue that this ideal of objectivity requires “the suppression of some aspec… Continue reading
One of the recurrent images considered in Daston and Galison’s book Objectivity is that of the artist in contrast with the scientist. The most extensive discussion of this relation comes in chapter two, where generally in the eighteenth century, “t… Continue reading