{"id":89,"date":"2015-10-30T18:57:15","date_gmt":"2015-10-30T23:57:15","guid":{"rendered":"https:\/\/my.vanderbilt.edu\/f2015\/?p=89"},"modified":"2015-10-30T18:57:15","modified_gmt":"2015-10-30T23:57:15","slug":"three-levels-of-terror","status":"publish","type":"post","link":"https:\/\/my.vanderbilt.edu\/f2015\/2015\/10\/three-levels-of-terror\/","title":{"rendered":"Three Levels of Terror"},"content":{"rendered":"<p>In class on Thursday, I brought up Stephen King&#8217;s categorization of the three types of terror while we were discussing <em>The Woman in White<\/em>. I did a little more digging into it, since it had been a while since I read the article. If anyone is interested, he talks about the three levels in his book, <em>Danse Macabre<\/em>. Here is a Facebook post King wrote, summarizing the levels:<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/OfficialStephenKing\/posts\/355794961226759\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-90\" src=\"https:\/\/my.vanderbilt.edu\/f2015\/wp-content\/uploads\/sites\/1865\n2823\/2015\/10\/Screen-Shot-2015-10-30-at-6.15.00-PM.png\" alt=\"\" width=\"484\" height=\"239\" srcset=\"https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1865\/2015\/10\/Screen-Shot-2015-10-30-at-6.15.00-PM.png 484w, https:\/\/cdn.vanderbilt.edu\/t2-my\/my-prd\/wp-content\/uploads\/sites\/1865\/2015\/10\/Screen-Shot-2015-10-30-at-6.15.00-PM-300x148.png 300w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/><\/a><\/p>\n<p>In his book, King elaborates, &#8220;I recognize terror as the finest emotion&#8230;and so I will try to terrorize the reader. But if I find I cannot terrify him\/her, I will try to horrify; and if I find I cannot horrify, I&#8217;ll go for the gross-out. I&#8217;m not proud.&#8221;<\/p>\n<p>It would be interesting to attribute our fluctuating level of enjoyment of some of the events that happen in Collins&#8217;s book onto King&#8217;s categories. The &#8220;spine tingling&#8221; or &#8220;goosebumps raising&#8221; sensation we&#8217;ve talked about is most closely related to terror. I would categorize events like Anne Catherick&#8217;s hand touching Walter or Fosco writing the postscript in Marian&#8217;s diary under &#8220;terror.&#8221; However, events like seeing Laura next to her tombstone would be better categorized under &#8220;horror.&#8221; There aren&#8217;t many &#8220;gross-out&#8221; moments in sensation novels, but I think there are some easy narrative tactics of the genre, such as repeatedly mentioning one character (Sir Percival) has a secret.<\/p>\n<p>As modern readers, we have been overexposed to most elements that would fall under the gross-out or horror categories. Scary figures like zombies, bloody bodies, and crawling spiders have been used a lot in stories, and so have elements like characters switching places and the not-really-dead dead person. While those tricks are still effective to an extent, they are less remarkable because we&#8217;ve seen them before. However, when Collins is still able to create sensation and instill &#8220;the finest emotion&#8221; of terror in us, it says a lot about the high quality of his novel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In class on Thursday, I brought up Stephen King&#8217;s categorization of the three types of terror while we were discussing The Woman in White. I did a little more digging into it, since it had been a while since I &hellip; <a href=\"https:\/\/my.vanderbilt.edu\/f2015\/2015\/10\/three-levels-of-terror\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4395,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-89","post","type-post","status-publish","format-standard","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/posts\/89","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/users\/4395"}],"replies":[{"embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/comments?post=89"}],"version-history":[{"count":1,"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/posts\/89\/revisions"}],"predecessor-version":[{"id":91,"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/posts\/89\/revisions\/91"}],"wp:attachment":[{"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/media?parent=89"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/categories?post=89"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/my.vanderbilt.edu\/f2015\/wp-json\/wp\/v2\/tags?post=89"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}