The Bio Blog


An adventure of ordinary proportions

I think Aristotle gets a bad rap. A lot of popular opinion includes some unwarranted scorn towards his ideas, since a lot of his science has been disproven since his death over 2000 years ago. What I like most about Aristotle, though, is that he was into everything. He was one of the fathers of modern philosophy and of the scientific method, as well as writing on such different topics as politics and biology. I like to imagine that Aristotle’s blog-bio would change every few weeks as he decided he was most interested in his new favorite topic, because, well… that’s me. Some days I’m very single-mindedly writing and recording music, followed by obsessive research on an engineering topic that came up in one of my classes, and the next day I may be immersed in a book about math history. The book is key, really, because reading is generally my default state. My family has a running joke that our conversations generally follow the same format:
“Nathan, do you have any plans for after dinner?”
*flip*
*30 seconds*
*flip*
“No, I’m not doing anything.”
I love fiction, science fiction, history, literature, nonfiction (math history was not a joke, that stuff is way more interesting than it sounds), and cookbooks. My college bookcase contains, in fact, one cookbook, two books on philosophy, The Iliad, a collection of Number Theory proofs, a history of Waterloo, and a Jules Verne collection. Full disclosure: just listing those books made me a little euphoric because I can’t wait to read/reread them.
I was born to two Army officers*, so I spent most of my life moving from place to place, enough so that I can’t accurately say which of my elementary schools was in which state. When we finally stopped moving around (during high school), I had already adjusted to a lifestyle of flux – You’re the new kid, you start to fit in, you make some friends, then you leave them and don’t stay in touch. It sounds sad, but it’s more cathartic than anything; I don’t ever feel like I’ve missed out on a precious set of memories or development because I made new friends every few years. I will say, though, that college showed me a personality weakness born of this moving – I depended upon being the new kid to make friends. On the first day of Vanderbilt, everyone is the new kid, and I didn’t have that handicap working for me, so I found myself less eager to seek out companionship than a lot of people around me.
A song by one of my favorite bands uses the lyric: “Now I’ve got lots of friends, yes, but then again, nobody knows me at all.” Now, I’m not so wrapped up in myself that I subscribe to the “no one understands me” school of thought (especially since it’s such an unrealistic expectation for all your friends to somehow know your innermost self), but that lyric is important to me because it represents what I never want to be. I would take a few close friends over knowing a lot of people any day, and, by that metric, I think I’m pretty successful. There are people in my life that mean a lot to me, and whose company and conversation I enjoy day after day, and… that’s enough!
*One of the biggest commitments in my life right now is Army ROTC. Serving in the military is a legacy on both sides of my family (after immigrating during the potato famine), and I suppose there’s always been a piece of me that knew I would end up walking the same path. As far as influences go, ROTC has certainly given me a sense of responsibility, discipline, and maturity (sometimes) , but I don’t feel like I’ve grown up enough yet to even consider having a real job and doing real grown-up things like being in charge of other people.
I’d actually like to close with another lyric from the same band:
                I can’t really say why everybody wishes they were somewhere else, but in the end the only steps that matter are the ones you take all by yourself.”
                Growing up is something I feel like I’m still working on. Sure, I live in a room on my own, provide my own food, and such, but that can’t be what makes a person an adult, that’s just understanding when you’re hungry (and satisfying your needs with Snapple and baguettes). Maybe everyone looks more grown up from the outside, though, because I surely can’t be the only one around here still 12 at heart. Maybe growing up is getting to a point where you don’t feel guilty for still being a kid inside? I kinda hope so.
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Bio..

For as long as I can remember I have been in love with music and words.  And when I don’t have words of my own I usually can relate to music and find a voice through the lyrics of my favorite artists.  Where I’m from, where I’ve been, and where I’m going are what makes me, Alexis Jackson.  Through some of my favorite song lyrics I will explain and describe who I am.

“Couldn’t afford a car, so she named her daughter Alexis”

-Kanye West; All Falls Down

            Whenever I ask my dad why he and my mom named me Alexis, he always fabricates a story saying when my mom was in labor he asked her what he could do to make her feel better.  He goes on to say that my mom screamed “I want Alexis!” or “I want a Lexus!”  My dad says he couldn’t tell if she said “a Lexus” or “Alexis”, so he told the nurses that my name would be Alexis.  He also bought my mom a Lexus car the next day.

“Cause in Memphis Tennessee there’s only so much to obtain”

-Drake; The Calm

Memphis Tennessee is the place I call home.  It may not be safest, cleanest or nicest city in America, but it is home and being from Memphis is something I am extremely proud of.   My mom has lived in Memphis all of her life, but doesn’t want the same for me.  Although Memphis is great, many people who stay in Memphis fall into the same routine and fail to reach their full potential.  And those who leave Memphis fail to give back to the city they grew up in.  No matter where I go in life, Memphis will always be home and a place that I will always cherish and give back to.

“GA, the peach state, where we stay. My small city’s called Albany, Georgia… Bunch of hustlers run on every corner like the Waffle house in Atlanta, R.I.P Camoflauge out in Savannah, Georgia”

-Field Mob; Georgia

            Although I’m from Memphis, Georgia has a piece of my heart.  My grandma and my dad were born in Albany, GA.  My grandma, grandpa and all of my dad’s siblings and their children live in Savannah and Atlanta.  Savannah is my second home and also my middle name.  I love to spend summers with my cousins in Georgia, walking on the sandy beaches of Savannah, taking shopping trips to Atlanta, and visiting the small town where my grandma and my dad grew up.

“Let me tell you bout this super fly, dirty dirty, third coast, muddy water”

-Big Krit; Country Sh*t

            I am from Memphis, but I have being living in Olive Branch, Mississippi for the last five years.  Olive Branch is basically a suburb of Memphis.  Although you can occasionally see the stereotypical Mississippian in Olive Branch, it’s really like any other suburb in America.  Now, my mom grew up deep in Mississippi, the “dirty dirty” as some call it.  No street signs, no shopping malls, no movie theaters, no Wi-Fi, or Starbucks, but the people here are as happy as ever.  Seeing where my mother grew up makes me thankful for all that I have.  And seeing how happy the people who live there are, without all of the luxuries that we have, helps me remember to appreciate the smaller things in life. 

“Let’s go to sleep in Paris, Wake up in Tokyo.

Have a dream in New Orleans; Fall in love in Chicago”

-Lupe Fiasco; Paris, Tokyo

            Well I’ve never fallen asleep in Paris and woke up in Tokyo, but I have fallen asleep in Memphis, and woke up in Tokyo.  Traveling is one of my favorite things to do.  I love learning about different cultures, and there is no way better to do that than seeing them first hand.  My favorite place that I have been to is Beijing, China.  I spent the summer before my senior year in high school in Beijing.  This was one of the best experiences of my life.  Everything was so different.  This was the first time I was away from home for an extended amount of time, I didn’t speak the language of everyone around me, social networking websites such as Twitter and Facebook were extremely hard to get on, and I had to adjust to completely different food.   This experience helped prepare me for all of the new things I would experience at college.  It also helped me to become more open and aware of other ways of living and thinking. 

 Ambitious girl, you see, I like the person that you are, 
but I’m in love with the person that you have potential to be”

-Ambitious Girl; Wale

I think ambitious is a word that describes me very well.  I am determining to succeed and be the best that I can possibly be.  Although I have made plenty of mistakes in the past and continue to make them, I try to not let my mistakes hold me back. My parents and grandparents came from extremely humble beginnings yet succeeded in their lives despite the obstacles of class and race that stood in their way.   Making my parents and family proud and setting an example for the generations to come drives me to be the best that I can be. 

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Paying for Online Book Reviews | Is It Wrong?

Reblogged from Peter Galen Massey's Book Blog:

Click to visit the original post

In Sunday’s New York Times Business section, David Streitfeld reports on self-published authors paying for reviews of their books on the internet.

The article focuses on Todd Rutherford and his now-defunct company, GettingBookReviews.com, which offered authors 20 online reviews for $499 and 50 online reviews for $999.

Rutherford said that freelance writers he hired could decline to review a book they didn’t like, and still receive half their fee, but this rarely happened according to…

Read more… 499 more words

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A Case Study On the FREE Music Model: “Radiohead”

I don’t feel guilty downloading music for free because it is what I believe in: I give all of my own music away for free! I’ve written, recorded, and produced hundreds of songs over the last decade, and published two EPs on iTunes, but all of my material is free to download from my website. It’s not that I don’t value my music, just that I want it to be shared as much as possible because when a song of mine lands in someone’s music library, it will be there for a long time, and there is no better promotion than that. This concept that giving away your music for free will increase your sales in the long run is not as crazy as it sounds and has actually succeeded for many bands since the dawn of this new era. Most notably, the band Radiohead, who never had an album break into the top 20 in the U.S., but after their album Kid A (2000) was leaked on Napster three months in advance and downloaded for free by millions of people, it had received so much attention, and fans had begun to appreciate it so much, that when it was officially released, the album climbed to the number one spot on the “Billboard 200” sales chart in its debut week. According to Richard Menta of MP3 Newswire, “the effect of Napster in this instance was isolated from other elements that could be credited for driving sales, and the album’s unexpected success suggested that Napster was a good promotional tool for music.”[1] Radiohead is one of the pioneers of the new model for the music industry, and after their contract ended with EMI, the band decided not to renew the relationship, feeling no need for the label anymore because they already had their own recording studio, a dedicated fan base, and a new web server.

In October 2007, Radiohead proved to the world again that it is possible to make more money selling your record if you give it away for free at first. They did this by making a sudden announcement 10 days before the release of In Rainbows, and then releasing the album as a download for free on their website with an option to “pay what you want.” An amazing 1.2 million fans downloaded the album in the first month, and roughly 40% of the fans chose to pay an average of $6, which netted the band an astonishing $3 million. For the first time, Radiohead owned the master to their album, and they sold it direct to the consumer, so they did not lose any percentage of their sales revenues, and they were able to license it to other CD stores and make money the old fashioned way after the first month of “pay what you want” was over. This ingenious strategy worked for the band again with their 2011 release of The King of Limbs. Thom Yorke, the band’s singer, admits that this model probably will not work for everyone. It is an ideal strategy that is based on the belief that people should be able to value the music they listen to themselves, instead of being forced to pay $20 for a CD only to realize they only liked the one song that they heard before buying it. In a conversation about the true value of music with the innovative producer and singer of the Talking Heads, David Byrne, Yorke says, “It’s not about who’s ripping off whom, and it’s not about legal injunctions, and it’s not about DRM (Digital Rights Management) and all that sort of stuff. It’s about whether the music affects you or not.”[2]

In a day when major recording labels are trying to squeeze as much money as they can from their artists to make up for dismal revenues, the advantage of a musician being able to sell his music directly to his consumers has become more and more attractive for the independent artist. It is amazing to compare Radiohead’s In Rainbows album sales, which reached $3 million after giving it away for free and letting the fans “pay what you want,” to Paul McCartney, who was the top ranked rock performer in 2002, who’s album sales only earned $2.2 million that year, significantly less than the alternative-independent band Radiohead. However, McCartney did earn $64.9 million from live concerts too. It is becoming more and more clear that major labels role providing distribution deals and promotions are coming to an end, while the labels still maintain the power to help artists generate a lot of revenues from ticket sales to concerts. For artists who do not want to go on expensive tours, there is not much of an incentive to sell the rights to your music to any record label when you have the power to sell directly to the consumers and connect to your fans through the Internet. The power of the independent artist is at an all-time high right now, and it only looks like it will get better from here on out. Especially because music promotion is becoming much more targeted through social networking sites, and the amount of fans that can be reached on a limited budget or free is seemingly limitless if you apply the right techniques.

Written by Houston Golden


[1] Menta, Richard. “Did Napster Take Radiohead’s New Album to Number 1?” Oct. 28. 00 (http://www.mp3newswire.net/stories/2000/radiohead.html)

[2] Yorke, Thome and Byrne, David; “David Byrne and Thom Yorke on the Real Value of Music”; Wired Magazine. Dec. 18. 07. (http://www.wired.com/entertainment/music/magazine/16-01/ff_yorke?currentPage=all

 

 

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What is Music Will Save The Day?

Music Will Save The Day is not just a charity, it is a philanthropic music movement. We are dedicated to helping the world become a better place through music and coming up with creative ways to achieve this goal is our mission.

“If you are already giving your music away for free online, why not donate your music to help raise money for charity?!”

– Houston Golden, Founder

How can you get involved? Anyone can get involved by joining the site, posting on the blog, and spreading the word about Music Will Save The Day.

How can musicians participate in the fund-raising? If you want to donate your music to raise money for a cause you believe in, simply sign up to become a member and post your individual songs, tracks, even albums, and we will upload them to our charity library and send you updates – letting you know how much money you’ve raised for your cause, and how many charity points you have earned in the ranks. When you post your songs on our blog, just list the name of the charity you want to benefit in your post, and we will direct ALL of your earnings to them.

How do I get on a featured collection? We are going to release a monthly collection of featured songs to all of the webs top music blogs. These collections will consist of the songs by artists who have earned the most money for their causes. Being featured in one of our Music Will Save The Day collections is the best way to create a synergy of publicity in which your music and global consciousness become compassionately intertwined. Instant Karma!

Music Will Save The Day is releasing a vinyl record? We are looking for musicians to be featured on our debut “Music Will Save The Day LP,” which is to be released on vinyl December 2012 and will be produced by Houston Golden, veteran musician, sound engineer, songwriter, and Founder of Music Will Save The Day. Please, CONTACT US, if you are interested in participating in any of these good causes: musicwillsavetheday@gmail.com

A Message from the Founder, Houston Golden:

Why did I start this philanthropy? Ever since I began writing and recording my own music at the age of 14, I have been selling my music online, and, over the years, I’ve used many different online music merchants and digital retailers with varying degrees of satisfaction and success. But selling my music was never the goal, and I have always believed that giving away my music for free to as many people as possible was the best way to secure fans that would pay for my music in the long-term future. Nearly a decade later, after watching the power of the Internet cripple the old music industry model, I’ve decided that it is now time for more alternative formats to be invented.

I have reached a point of disillusionment about the benefits of selling my music through major online merchants, such as iTunes, who take 30% of all artists’ royalties. “They don’t deserve, nor do they need, the hard earned pennies of artists!” I exclaimed to a friend. Then the light bulb idea appeared: why not create a music merchant service that gives those pennies to people and places who really and truly need them?

Music Will Save The Day is the first music donation/distribution platform that donates 100% of sales to charity.

Find a way to get involved by donating your music, donating by downloading, or by spreading the world about Music Will Save The Day. The philanthropic music movement has begun.

Sincerely,

Houston Golden

 

“Selling my music was never the goal, and I have always believed that giving away my music for free to as many people as possible was the best way to secure fans that would pay for my music in the long-term future.”

(Houston making music for a FREE TIBET!)

 

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A Message From The Founder, Houston Golden

Why did I start this philanthropy?  Ever since I began writing and recording my own music at the age of 14, I have been selling my music online, and, over the years, I’ve used many different online music merchants and digital retailers with varying degrees of satisfaction and success. Nearly a decade later, after watching the power of the Internet cripple the old music industry model, I’ve decided that it is now time for more alternative and progressive formats to be invented.

I have reached a point of disillusionment about the benefits of selling my music through major online merchants, such as iTunes, who take 30% of all artists’ royalties. “They don’t deserve, nor do they need, the hard earned pennies of artists!” I exclaimed to a friend. Then the light bulb idea appeared:   Why not create a music merchant service that gives those pennies to people and places who really and truly need them?

 ”If you are giving away your music for free already, why not donate your songs to charity too?! The answer to that question is the reason for Music Will Save The Day.” – Houston Golden, Founder of Music Will Save The Day

Music Will Save The Day.com is the first music distribution platform that donates 100% of sales to charity.

Find a way to get involved by donating your music, donating by downloading, or by spreading the word about our cause. The philanthropic music movement has begun.

 

Sincerely,

Houston

 

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How do I get on a featured collection?

We are going to release a monthly collection of featured songs to all of the webs top music blogs. These collections will consist of the songs by artists who have earned the most money for their causes. Being featured in one of our Music Will Save The Day collections is the best way to create a synergy of publicity in which your music and global consciousness become compassionately intertwined. Instant Karma!

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How can musicians participate in fund-raising for their causes or charities?

How can musicians participate in the fund-raising?

 

If you want to sell your music to raise money for a cause you believe in, simply sign up to become a member and post your individual songs, tracks, even albums, and we will upload them to our charity library and send you updates – letting you know how much money you’ve raised for your cause, and how many charity points you have earned in the ranks. When you post your songs on our blog, just list the name of the charity you want to benefit in your post, and we will direct ALL of your earnings to them.

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Participate in our collaborative production of “No Woman No Cry”

Here at Music Will Save The Day, we want to foster and further the development of global consciousness, so to do just that, we are encouraging musicians from all around the world to submit recordings, or videos of performances, or Bob Marley’s “No Woman No Cry.” We want to mix/blend/remix an international version of “No Woman, No Cry” as a statement of global consciousness.

Inspired by a moment in my life when I was 15 years old and abroad in Paris, France, playing my guitar on the steps of the Sacre Coure Cathedral with musicians from Morroco, Paris, England, and Spain. We were all singing and playing along to “No Woman No Cry” in different languages on the beautiful steps overlooking the Eifel Tower, while a hippie dressed in all white robes with “Le Vie Est Belle” written on his chest threw rose pedals at our feet. It was a lot like busking on the boardwalk of Venice Beach, California, but with an amazing French twist. ‘Twas a magical moment, hearing everyone singing along to the same song in their different languages, and it forever connected me to a deeper global consciousness.

Obviously, I was also very inspired by the group www.PlayingForChange.com for this idea, but I don’t think they would mind if used their concept to also help spread global consciousness in order to raise money to help people in need.

 

email your submissions to:

musicwillsavetheday@gmail.com

 

Posted in Acoustic, blog, Blues, Bob Marley, charity, DJs & Remixes, Electronic, Featured, France, Global, Indie, No Woman No Cry, One Love, Paris, Playing For Change, Rap & Hip Hop, recording project, Songs by Causes, Songs by Style, Songs for Children, Songs for Polar Bears, Songs for Puppies, Songs For Tibet, Songs for Veterans, Songs for Water, Songs to Save The Music | Comments Off on Participate in our collaborative production of “No Woman No Cry”

The Roadkill Cure to Writer’s Block

“If the artist starts evaluating himself, it’s an enormous block, isn’t it?” – Philip Guston, painter

Before you go on a tangent today, criticizing your writing (as well as your personality, your life, and the dog with scruffy ears you got at the pound), consider taking a walk.

Instead of spending the better part of the afternoon in a whirlpool of self-doubt, you might find this: a flattened raccoon on the edge of a two-lane highway.

ImageThen you might think, what if I were the type of person who took a raccoon home for dinner? Or better yet, what if I were a taxidermist who specialized in roadkill finds? At this point, you might begin to consider what being a roadkill-taxidermist would mean for you, if that were your life calling.  Perhaps you’d take your stuffed roadkill to taxidermy conferences. Maybe you’d explain how you keep some parts of the animal flattened and ragged and bloody because you don’t want to create stuffed, inauthentic “life” from death by 18-wheeler. Maybe you want your viewers to focus on the momento mori of these unfortunate critters. And God knows if you were a roadkill taxidermist you would certainly talk to those dead squirrels, opossums, and armadillos.  Who knows, they might talk back.

And just like that, you’ve forgotten about the worm of self-doubt, and instead you’re sitting down at your computer to write about deranged taxidermists and their disemboweled, talking raccoons. Sure, no one might ever read your story, but what does it matter?

You’ve just made friends with a taxidermist and all of his flattened rodent friends, and sometimes, that’s just enough.

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The World Must Be All Fucked Up

“The world must be all fucked up,” he said then, “When men travel first class and literature goes as freight.” – Gabriel García Márquez

Sorry, books, but it was the only way…

And with the packing of the books, you know we’ve come to the end of the Georgia days.

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On Writing Bad Fiction

I just wrote a  bad story. A 26-page disaster of a story, to be specific.

Now that I’ve come to the end of it, now that it’s all been punched out—I’ve come to realize that the whole thing is one enormous, colossal piece of crap.

Mardi Gras Day, New Orleans: Krewe of Kosmic D...

Mardi Gras Day, New Orleans

In the story, “Parade,” two couples—four vapid and awful people—wander around Mardi Gras for one debauched weekend, each of them struggling to gain some semblance of power over their respective partner. In the end the whole thing is not even about their trite and tedious power dynamics, but instead about their perception of “reality” vs. the reality of a violent, poverty-stricken post-Katrina New Orleans. The problem is, to reach the didactic and melodramatic conclusion about poverty in New Orleans, the reader has to first follow four idiotic, indulged, ego-maniacal college students for 25 pages—only to realize on the final page that not even the author gives a damn about their petty tiffs. Sounds fun, right? “Parade” was, essentially, the definition of a failed story.

Then again, I needed to write it, and now that it’s out of my system, I’m free to move on to better things. Whenever I look back on a god-awful story, and consider all of the time I wasted on said swampland of prose, I think of Malcolm Gladwell’s Outliers and regain a sense of my former optimism.

Outliers (book)Gladwell argues in Outliers that all of the “greats” of history—Mozart, The Beatles, Bill Gates—have achieved the extraordinary not as much through some innate “genius,” but rather through the old theory of “practice makes perfect.” If a person practices his or her skill intensely and with focus for 10,000 hours, that individual should, by the end of it, be an expert in his or her field. To be fair, Gladwell points out that not all people who make tremendous efforts (10,000 hours of tremendous efforts) meet with success in the end. Environment and circumstance are important, too, but let’s not worry about that for now—let’s worry about what we can change.

Let’s say I worked 30 hours (roughly an hour a page) on “Parade.” With all of those long hours typing in little dark coffee shops, sipping on caramel lattes, I’d still only be 0.3% of the way to reaching the extraordinary, unbelievable genius of literary greats like Joyce, Hemingway, Faulkner, and Fitzgerald.

Ten thousand hours is a lot of time—and maybe that’s a good thing. As a beginning writer, there’s only so much I can possibly achieve at this point—which isn’t a very satisfactory consolation, but a true one. If I want to be a better writer, I can’t waste time getting hung up on one lengthy piece of drivel.

There are so many more stories to write! Thirty hours on one bad story—who cares?

Posted in 10 000 hours, Authors, fiction, Life, Literature, Malcolm Gladwell, Outliers, practice, story, writing | Comments Off on On Writing Bad Fiction

The Good Life, Whatever It Is and Wherever It Happens to Be

Sunset over the water,  from a dock in Key West.

“Let us toast to animal pleasures, to escapism, to rain on the roof and instant coffee, to unemployment insurance and library cards, to absinthe and good-hearted landlords, to music and warm bodies and contraceptives… and to the ‘good life’, whatever it is and wherever it happens to be.”
― Hunter S. Thompson

I spent this past Wednesday through Sunday in Florida, experiencing the “good life,” as best as I have in a while. I’ll write a post about Florida soon—about Hemingway’s house in Key West and the 44 six-toed cats that wander the property; about the five-bar pub crawl where I actually attempted to write drunk, and ended up scrawling indecipherable gibberish in my notebook; about the storm clouds that purpled the sky over the pale sands of Miami Beach; and about watching fireworks burst in clusters of star-flame while walking barefoot in the wet sand on the edge of the ocean.

I’m waxing poetic, so I’ll stop. But it was wonderful—I haven’t been that happy in a while.


Posted in Authors, ernest hemingway, Florida, Hunter S. Thompson, Key West, Life, Literature, Miami Beach, Pub crawl, Quotes, travel, vacation | Comments Off on The Good Life, Whatever It Is and Wherever It Happens to Be

I Sent Out 126 Rejection Letters Today

Believe me, it wasn’t easy. I plowed through only one-and-a-half of three stacks of submissions, logging out short stories, essays, and poetry. As I worked, I read through cover letters, paged through submissions,and scanned through the editors’ comments, thinking: dang, how hard is it?

The answer: really hard.

Writer's Block 1I read submissions by writers from the Iowa Workshop, from professors at Emory and Harvard, from multiple graduates of Princeton, Yale, and all the other Ivies. There were writers who had been published in The New Yorker and The New York Times, writers whose stories had been anthologized in The Best American Short Stories or had won Pushcart Prizes—lists of accolades and accomplishments that baffled me.

There were writers who had no formal training, but had excellent stories; writers who had formal training, but wrote as if they were in high school. There were teen-age writers, writers in their 70s just starting out, even a writer who had sent his hand-written submission from a criminal insane asylum.

At the end of the day, I was weary of those yellow slips. I’ve just started sending out my own stories, and though I know the road to success is paved with rejection slips, I worry about the future. How many writers kept trying, when they should have given up? Worse still, how many writers gave up, when they could have been great if they’d only kept submitting?

I went back to those cover letters: all those writers who had won incredible awards, who had been published in so many other prestigious magazines and reviews. They were succeeding, even though I was sending them each a rejection letter.

A rejection from one magazine, for one story, doesn’t mean a writer is untalented. Rejections from multiple magazines for multiple stories doesn’t mean a writer should give up, either. Just like lovers, some writers and magazines fit each other, while others do not.

Beyond that, though, all writers can improve their work and thereby increase their odds. The best way to do so is to continue writing, continue revising, and continue submitting.

If we’re lucky, we may even get a hand-written rejection note from a wise editor: for my green soul, that would be gold.

Until then, all we can do is keep on keepin’ on.

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